| Andrew Blackman | 
  The feeling that I’ve only
  expressed a tiny fraction of what I really wanted to say. | 
 
   | 
   | 
 
  | Anne Brooke | 
  The knock-backs. Boy, how they
  floor me. Yes, they do. No matter how many other marvellous things are
  happening, one rejection can make me feel like it's simply not worth it and I
  have no abilities whatsoever. That may of course be my manic-depressive tendencies
  speaking but, my goodness, those tendencies can make themselves known in no
  uncertain terms when they wish to. And I dread the moments when I have no
  idea where my characters or storyline are going, and I'm floundering around
  like a gaffed salmon on the bedsheets (to misquote Wodehouse). That's hell
  too. | 
 
   | 
   | 
 
  | Ardella Jones | 
  Settling down to it when
  Frasier’s on daytime TV.  | 
 
   | 
   | 
 
  | Beanie Baby | 
  The worst thing is that my
  thoughts never ever leave it and I find that incredibly frustrating when I
  know I have to go to the office every day. It is all-consuming and 24 hour -
  even my sleep is disturbed by it. But I wouldn't have it any other way. | 
 
   | 
   | 
 
  | Bill Spence | 
  For me the worst thing about
  writing is finishing the book and having to leave the characters I have
  become close to and know so well, but there are new people to meet in the
  book ahead. | 
 
   | 
   | 
 
  | Cally Taylor | 
  Near constant self-doubt and
  worry. | 
 
   | 
   | 
 
  | Candi Miller | 
  Sitting on your bottom, all
  alone in front of the keyboard, for days, months, years on end. | 
 
   | 
   | 
 
  | Candy Denman | 
  What's the worst thing about
  writing? | 
 
   | 
 
  | When
  you have just sent the completed script off and are waiting for the
  producer/director/script editor to get back to you with their comments.
  That’s when you suddenly realise the hero can’t solve it that way, the baddie
  is in two places at once, and the whole plot hinges round something
  that can’t really happen. | 
 
   | 
   | 
 
  | Caroline Rance | 
  The feeling that, because it
  doesn't bring in a regular income, I'm not allowed to take it seriously. Some
  people still seem to see it as a cute hobby to keep my little brain occupied
  while I'm sitting at home doing nothing except looking after a toddler. I
  wish society would accept that some things are worth doing even if they don't
  attract a wage. | 
 
   | 
   | 
 
  | Cassandra Clare | 
  It can get very lonely | 
 
   | 
   | 
 
  | Catherine Cooper | 
  Waiting. I’m not a
  patient person and find the pace of the submissions process soooooo
  sloooooooow.  | 
 
 
   | 
   | 
 
  | Catherine Richards | 
  Having lots of ideas and not
  enough time to get them written down. | 
 
   | 
   | 
 
  | Cathy Glass | 
  Nothing for me. I love every
  stage of the writing process, from that furiously scribbled first draft, to
  the endless revision where the manuscript magically transforms before your
  very eyes, to the final proof reading. To create a piece of writing, whether
  it is a paragraph or full length manuscript, is sheer joy for me. | 
 
   | 
   | 
 
  | Christina Courtenay | 
  I don’t really think it has many
  downsides for me. I love writing and everything involved in the process. Of
  course it can be frustrating when it doesn’t quite flow the way you want it
  to, but that’s something you have to accept and work around. | 
 
   | 
   | 
 
  | Claire Allen | 
  Finding the time! As a full time
  journalist and also a mother of a three year old it can be hard to find time.
  Alongside that, when I'm really into the writing process I find it hard to
  switch the characters off in my head. They are always fighting to get out- so
  at times I'm covering the local news fixtures, planning what to cook for the
  wee man's tea and trying to keep my MC quiet until I can actually sit down in
  front of the lap top. | 
 
   | 
   | 
 
  | Claire Moss | 
  The constant self-doubt. I don't
  think you can be a good writer unless you are endlessly critical of your
  work, but it does leave you with a nagging sense of not being good enough. | 
 
   | 
   | 
 
  | Courttia Newland | 
  The money. | 
 
 
   | 
   | 
 
  | Craig Baxter | 
  The self-absorption and time
  spent inside your own head when you could be out there having a real life | 
 
   | 
   | 
 
  | Danny Rhodes | 
  The only thing that frustrates
  me about writing is not being able to afford to do it full time, but I’m
  working on that! | 
 
   | 
   | 
 
  | Dawn Finch | 
  Oh, that one is easy! Editing
  your own work. That is a ghastly process of reading and re-reading and going
  over every fine point for repetition, lost meaning, possible confusion and
  flow. That whole process is agony – and I can’t have a glass of wine doing it
  as I can’t afford for my concentration to drift off! Having to be brutal and
  critical over your own work is so hard. I know that it will be edited at the
  publishers and so when I’m getting down to fine points like commas it is a
  little bit like tidying your hotel room before the maid comes – but I still
  prefer to do it for myself. | 
 
   | 
   | 
 
  | Deborah Swift | 
  I suppose the general angst and
  insecurity that I always think my writing’s not quite good enough. But it
  doesn’t stop the itch to do it | 
 
   | 
   | 
 
  | Diane Samuels | 
  The loneliness sometimes, the
  lack of daily support by others and not having a regular paycheck.. | 
 
   | 
   | 
 
  | Domenica De Rosa | 
  For me, there is no down side. | 
 
   | 
   | 
 
  | Elizabeth Buchan | 
  I think one had to guard against
  being thoroughly neurotic. A harsh verdict from a critic or a reader can
  plunge me into gloom. But I am aware that you will never learn if you ignore
  the bad review. It is a painful, but necessary, process and if you flinch
  facing up to the mistakes, then you do yourself a disservice. | 
 
   | 
   | 
 
  | Emilia di Girolamo | 
  The fact that it takes a long
  time to make it financially successful unless you are very lucky or have
  a truly unique talent and
  that you have to do other things to supplement your income. In terms of TV,
  the fact that it takes so long to get the work from script to screen so I
  can't be as topical as I might like. | 
 
   | 
   | 
 
  | Eva Salzman | 
  Getting started. Each time.
  Secretarial and domestic drudgery. | 
 
   | 
   | 
 
  | Eve Ainsworth | 
  The self-doubt never goes away,
  and it’s an evil beast.  | 
 
   | 
   | 
 
  | Fiona Robyn | 
  I seem to have to overcome huge
  resistance whilst writing first drafts, and have to force myself to my desk! | 
 
   | 
   | 
 
  | Gary Davison | 
  People interrupting you. | 
 
   | 
   | 
 
  | George Szirtes | 
  Nothing bad. The worst thing is
  not writing. | 
 
   | 
   | 
 
  | Gillian McClure | 
  Silence when I don’t want it;
  publishers’ silence; answer phones that say, ‘You have no messages’. | 
 
   | 
   | 
 
  | Gordon and Williams | 
  RG: Not being able to. | 
 
   | 
 
  | BW:
  Editors (Haha!) | 
 
   | 
   | 
 
  | Helen Black | 
  Self doubt. I always think
  everything’s rubbish. | 
 
   | 
   | 
 
  | Helen Castor | 
  It’s really hard. For me, at
  least! Every word is like getting blood out of a stone. | 
 
   | 
   | 
 
  | Jae Watson | 
  Never being as good as I want to
  be | 
 
   | 
   | 
 
  | James Burge | 
  The fact that first drafts
  always read like teeth-clenchingly embarrassing rubbish. It always comes out
  all right in the end but I can never seem to get it right first time. | 
 
   | 
   | 
 
  | Jane Elmor | 
  Self-discipline when you work on
  your own is always the killer. Making sure you get up and don't spend the day
  in a dressing gown, surfing the net or watching daytime TV. Talking to
  yourself and forgetting how to behave in polite society. The desire for wine
  at lunchtime and a snooze in the afternoon. The craving for a fag when you
  get stuck, even though you gave up years ago. The enormous mountain of
  unwritten words you have to face at the start of a novel. Knowing that there
  is the perfect word, phrase or metaphor out there somewhere for what you want
  to express and not being able to find it. Having to be ruthless during edits
  – it's painful slashing things out that you've spent ages crafting. (Save the
  amputated parts somewhere though – it makes it hurt less to think you could
  use them in something else some time.) | 
 
   | 
   | 
 
  | Jane Rogers | 
  The solitude. | 
 
   | 
   | 
 
  | Jem | 
  The ups and downs, the lack of
  ideas that occasionally occurs, the fear of rejection, the certainty that
  you’ll never get another idea after this one, the cheque that’s in the post,
  God where do I start? Like they say on the X-factor - It’s a rollercoaster of
  emotions. | 
 
   | 
   | 
 
  | Jenn Ashworth | 
  The fact that you never know how
  it is going to work out. I don't plan, I type away in the dark until a shape
  or a voice appears. It's horrible and frightening to think of how much time
  I've wasted getting to an idea. I'm a slow and wasteful writer - much more
  than half gets thrown away, because, as I said, I have to write it out before
  I can think it or see it. | 
 
   | 
   | 
 
  | Jill McGivering | 
  The re-writing – again and again
  and again… | 
 
   | 
   | 
 
  | Jim Younger | 
  I don’t think there’s any ‘worst
  thing’ about writing, or the best either. “Life is a Roller Coaster, Just
  gotta ride it,” as Mr Keating wrote. But yes, like when you hit your stride
  on a great fiddle tune, there are moments of exultation - and moments near
  despair too, and all sorts of crazy feelings that go along with the whole
  trip. | 
 
   | 
   | 
 
  | John Murray | 
  The worst thing about writing in
  my case has been the ups and downs of getting published. Aidan Ellis did two
  more of my books; Kin(1986) and Pleasure(1987).The latter was a book of
  stories that won the Dylan Thomas Award in 1988. But he turned down Radio
  Activity(subtitled 'A Cumbrian Tale in Five Emissions') and my agent also
  ditched me once they saw it. It went round 35 publishers unagented before a
  tiny outfit called Sunk Island published it in 1993. It was immediately
  chosen as a Book of the Year in the Spectator and Independent and got rave
  reviews from Jonathan Coe and DJ Taylor. The lesson there is I suppose never
  give up and don't always believe what the publishers and agents tell you!
  They're not infallible, though they like to pretend that they are. | 
 
   | 
 
  | Since
  then I've been with Flambard who have really looked after me. They're only a
  small press and there are no great financial rewards, but they've done four
  of my novels in five years and a reissue of Radio Activity to boot. John
  Dory(2001) a spiritual thriller about a man and a fish, got some great
  reviews in the Mail on Sunday, the Sunday Times etc. Jazz Etc(2003)was
  longlisted for the Booker and that really affected its sales. Murphy's
  Favourite Channels(2004)was a Novel of the Week in the Daily Telegraph. | 
 
   | 
 
  | The
  other tough thing about writing is when you've managed to get a book
  published and the reviews aren't happening. I have a couple of friends who've
  struggled for decades (literally) to get in print and once it's happened they
  haven't had a single review. That is to say the least very demoralising. I've
  been lucky myself. Murphy's Favourite Channels got 10 reviews in the national
  papers and only 2 of them were bad ones! | 
 
   | 
   | 
 
  | John Ritchie | 
  Not having enough time and/or
  money to devote yourself entirely to it. Though even as I write that, I know
  it is a cop-out. You can always find what you need of either, if you really
  want to.  | 
 
   | 
 
  | Okay,
  the next worse thing is doubting yourself, and your ability to write. That
  can get you into the dreaded Ground Hog Day where you write Chapter One Page
  One over and over again as you seek that elusive perfection. AARRGGH! | 
 
   | 
 
   | 
 
   | 
 
   | 
   | 
 
  | Jon Haylett | 
  I am, effectively, a full-time
  writer now, and there is little that I find unpleasant until a book or a
  story is ready to be presented to the outside world. With short stories, I
  send them to competitions, which is relatively painless, but interesting agents
  and publishers in a book is a gruelling battle | 
 
   | 
   | 
 
  | Jonathan Wolfman | 
  Disciplining yourself to do it
  when no one’s paying you or giving you a deadline. You have to be
  self-motivated. Dealing with rejection was the worst, but you have to get
  used to it. Also dealing with your own negativity. It’s very easy to lose
  heart and think you are crap. | 
 
   | 
   | 
 
  | Josa Young | 
  Not being able to write fiction
  due to one crisis after another. And understanding that looking at Amazon
  rankings is a form of madness. Isabel Wolff has come up with the brilliant
  phrase ‘novel gazing’ for this insane activity. | 
 
   | 
   | 
 
  | Julia Bell | 
  Not being able to listen to the
  radio at the same time. (As I imagine all artists must be able to do . . . ) | 
 
   | 
   | 
 
  | Julia Copus | 
  Having to be self-disciplined.
  It’s easy enough to sit down at your desk when you’ve already got your teeth
  into something – and it’s much easier if you’re working on a longer project,
  or something with a narrative thread which you can pick up each morning.
  After I’d written my first radio play (which took me only a few weeks), I
  realised to my horror that it contained roughly the same number of words as a
  whole poetry collection. A poetry collection often takes years to finish. I
  think that’s because each new poem is like a new project, and each new
  project takes a little time to feel your way into. The trick might be to have
  several things on the go at once. I’m experimenting with this at the moment! | 
 
   | 
   | 
 
  | Kal Bonner | 
  I've just discovered that the
  worst thing about writing, is trying to answer a question about the worst
  thing about writing. Apart from being Liverpool FC's masseur, it has to be
  the best job in the world. | 
 
   | 
   | 
 
  | Kate Long | 
  I’ve found the business of
  self-promotion hard. I was always taught as a child not to push myself
  forward, and really you have to if you’re going to publicise a book. | 
 
   | 
   | 
 
  | Kate Tym | 
  It’s really, really,
  really hard to consistently make money. There can be periods of feast – but
  there’s a lot of famine too. | 
 
 
  | Kia Abdullah | 
  Having to be extremely
  self-disciplined. There may be days on end where you don’t feel inspired and
  you don’t want to write but you have to be disciplined and take the time out
  to sit down and write. Otherwise, you would never get a manuscript finished. | 
 
   | 
   | 
 
  | Kit Peel | 
  Reading most first drafts… | 
 
   | 
   | 
 
  | Laura Watson | 
  It can be lonely at times and
  the work can be unpredictable. | 
 
   | 
   | 
 
  | Lee Henshaw | 
  I’m too enthusiastic about
  writing to consider the worst thing about it. I’ve heard talk of the tyranny
  of the blank page, the famous writers’ block, but Van Gogh said why should a
  painter be afraid of a blank canvas, a blank canvas should be afraid of the
  painter. I thrash every page I write on until it submits. | 
 
   | 
   | 
 
  | Lee Jackson | 
  The process of writing – sitting
  alone in a room at a keyboard and typing – is a repetitive and mundane one,
  no matter how creatively satisfying the results. But I can’t quite see any
  other way of doing it. The rewards, too, are rather peculiar. The ultimate
  result – the finished book – is a massively deferred pleasure (about nine
  months in my case). You have to be rather stubborn or obsessive to stick at
  it – a sensible person just would not bother. | 
 
   | 
   | 
 
  | Lola Jaye | 
  Sometimes it’s just so hard to
  get the motivation going- especially when stuff like changing the vase water
  suddenly seems like the most important thing in the world. But luckily, once
  you start it’s easier to really get into it and then it’s all lovely again.
  But then there’s the dreaded writers block. Don’t get me started on that… | 
 
   | 
   | 
 
  | A L Berridge | 
  The compulsion. The not having a
  choice whether you write or not, but being totally bloody forced to do it in
  order to get the story out of your head before you go mad. | 
 
   | 
   | 
 
  | Lucy McCarraher | 
  With two small children, the
  village community and some occasional work-life balance commissions to attend
  to, the only downside is not having enough time to write. Otherwise nothing.
  Being a full time novelist would be the fulfillment of a dream and so far I
  haven’t found a downside to the writing itself. So far the
  publicity/marketing side has been quite fun, but I could get tired and
  stressed with that. | 
 
   | 
   | 
 
  | Luisa Plaja | 
  Aching for more time to write.
  Oh, also banishing that annoying inner critic. I've got a really loud one
  here. Grr, go away. | 
 
   | 
   | 
 
  | Malcolm Burgess | 
  Running out of black Bic fine
  point biros and having to write with the stubby one you were sent by the
  RSBP. | 
 
   | 
   | 
 
  | Maria McCarthy | 
  Getting started.  | 
 
   | 
   | 
 
  | Mark Booth | 
  The time that gets eaten up
  whenever I sit down to start writing and I should be doing something more
  useful. Time goes so quickly these days that I feel guilty just answering
  this questionnaire. I’m keeping my answers deliberately short. | 
 
   | 
   | 
 
  | Mark Liam Piggott | 
  Rejection | 
 
   | 
   | 
 
  | Matt Lynn | 
  The middle. The beginning of a
  book is great because it is a fresh start. And the end is great because it is
  exciting (if it isn’t, there’s something wrong with your book!). But between
  40,000 and 60,000 words is a slog. | 
 
   | 
   | 
 
  | Meg Peacocke | 
  The superstitious fear that
  overcomes me, when I’ve finished a poem, that I may never make another. I
  don’t believe it, but I still can’t stop the fear kicking in. | 
 
   | 
   | 
 
  | Michael Ridpath | 
  Rejection. All writers
  experience it at some stage in their career, usually at the beginning. For me
  it was in the middle. You know you shouldn’t take it personally, but it is
  impossible not to. I sometimes think successful people are just those who
  don’t give up. | 
 
   | 
   | 
 
  | Michelene Wandor | 
  Having to ‘audition’ for each
  new commission; it’s also worth remembering that there is an enormous amount
  of admin work attached to being a writer. It sometimes feels as though too
  much time goes on this admin, before one can actually get down to the writing
  itself. But that goes with the territory. The insecurity is absolutely the
  worst thing. | 
 
   | 
   | 
 
  | Michelle Harrison | 
  There’s not really much that I
  don’t like about it. My only niggle is thinking you’ve got a good idea or
  plot-line only to find that someone else has already done it. This has only
  happened to me once and luckily it was with a very small part of the story,
  but it can still be frustrating. | 
 
   | 
   | 
 
  | Milly Johnson | 
  Neurotic feelings that my books
  won’t be bought and my career will end – because I’m not fit for anything
  else! | 
 
   | 
   | 
 
  | Neil Forsyth | 
  Waiting for news. | 
 
   | 
   | 
 
  | Neil J Hart | 
  The hardest, and therefore I
  suppose the worst thing about writing, is not knowing whether what you’re
  writing is any good. Are the characters interesting enough, will people
  connect with the plot, will they get it, do I get it, has this all been done
  before? It’s important to challenge yourself and your writing, otherwise how
  can we evolve as writers? I keep a small group of close friends and writers
  that give brutal, honest feedback on ideas and writing work but essentially
  you’re on your own. | 
 
   | 
   | 
 
  | Neil Nixon | 
  The uncertainties around whether
  projects in development will ever get to production. Also the often painful
  collision between things I care about and the grim realities of the market. | 
 
   | 
   | 
 
  | Nick Griffiths | 
  The compulsion to self-motivate. | 
 
   | 
   | 
 
  | Nick Stafford | 
  The fallow times when you feel
  you’ve no imagination left and the barren times when nobody wants you. | 
 
   | 
   | 
 
  | Nicky Singer | 
  It never goes away. | 
 
   | 
   | 
 
  | Nik Perring | 
  Without the shadow of a doubt:
  the waiting. The whole industry, through little fault of its own, appears so
  slow to writers. There’s the months of waiting for responses from agents and
  publishers – and then even once everything’s agreed and signed it can be
  months (sometimes even years) before your book is released. I think the
  lesson to be learned from that is that you don’t need to rush anything where
  your writing’s concerned. Take your time and make sure you get it right. | 
 
   | 
 
  | Being
  such a solitary process it can get a wee bit lonely. Being a member of the
  fab writewords community helps with that though. | 
 
   | 
 
  | Oh, and
  hearing the hoover start up when you’re trying desperately to concentrate
  comes a close second! | 
 
   | 
   | 
 
  | Patricia Cumper | 
  The worst thing about writing is
  the uncertainty of the life, not knowing from year to year how you are going
  to survive. It may also be a good thing as it does spur you on, helps you
  focus on finding the next story you want to tell. | 
 
   | 
   | 
 
  | Patrick Dillon | 
  Not knowing whether something’s
  working or not. | 
 
   | 
   | 
 
  | Paul Reed | 
  The nerves before a reading. It
  can be terrifying. It's
  all about controlling yourself in the end. | 
 
   | 
   | 
 
  | Peter Robertson | 
  The monastic aspect but there is
  simply no other way if you are to get down to it. I am a gregarious man by
  nature and a large part of me thrives on the cut-and-thrust of the world.
  That said, I can cope with the loneliness of the writing vocation. I have had
  a lot of illness in my life—one illness, which was diagnosed in my early
  thirties, was devastating and lasted for fifteen years. I was confined to bed
  for long stretches, saw virtually no-one in the early stages, and was forced
  to look inwards. During this time I had no option but to come to terms with
  myself. So I now have the inner resources to shut myself in a room and will
  the world to recede. | 
 
   | 
   | 
 
  | Preethi Nair | 
  The solitude | 
 
   | 
   | 
 
  | Rebecca Connell | 
  I thought for a long time about
  this, because I can’t find much wrong with writing! I suppose it would have
  to be the necessity to do it even when you don’t feel like it. My writing
  motto is, “A man may write at any time, if he will set himself doggedly to
  it” (Samuel Johnson), and I do try to keep to that, but it can be very hard
  to plough on when you don’t feel inspired. I know from experience that if I
  work through it, no matter how terrible I think my writing is, I will look
  more kindly on it in retrospect. I don’t tend to suffer from serious writer’s
  block, and I think my willingness to “stick it out” when the going is tough
  is the reason for this, but it can certainly feel unpleasant at the time. | 
 
   | 
   | 
 
  | Rebecca Strong | 
  Not having enough time to write,
  or having the time and wasting it. | 
 
   | 
   | 
 
  | Ron Morgans | 
  The book publishing system. It’s
  antiquated. I helped Eddie Shah launch the Today newspaper with new colour
  technology in 1986. The publishing industry is just getting round to using it
  now. | 
 
   | 
   | 
 
  | Rosy Barnes | 
  The old cliché: people asking
  whether you're going to be the next JK Rowling of course! (They DO do this,
  even to me - I mean does Sadomasochism for Accountants sound like a kid’s
  book to you?)  | 
 
   | 
 
  | And
  people asking “what it’s about?” which normally provokes the response, “Err,
  umm, it’s about this bunch of accountants, right? And this bunch of
  sadomasochists and…” I HATE people asking what my book’s about. (It does make
  sense when you read it. It does! It does!) | 
 
   | 
   | 
 
  | Rosy Thornton | 
  There aren’t any bad things
  about writing. Not for me, though there are plenty for my family (“Mum?” –
  “Shut up I’m writing!”). But there are plenty of horrible things about having
  things rejected by agent and/or editor, which has happened to me a fair bit
  even after getting my agent (one completed novel in 2005 rejected by the
  agent, another completed novel last year which hit the editorial rocks, and
  40,000 words of yet another this past winter which my agent chucked out….).
  My productivity is on the manic side but my hit rate is pretty damn low! | 
 
   | 
   | 
 
  | Sally Nicholls | 
  With Ways to Live
  Forever it felt like I’d solve one problem and six more would appear. I wrote
  the book in lots of disparate scenes. This was wonderfully liberating when I
  started, because I’d think “There should be a scene about snow and it should
  go somewhere near the end” or “Sam would like that story, that will go
  somewhere in the middle” and then I’d just write it without worrying. The
  problem came when I tried to sew them all together with something
  approximating narrative thread. I think I wrote twelve entirely different
  opening scenes, for example, before I found one that I liked. Other problems
  included getting the tone light enough to appeal to children without
  trivialising the issue, getting all the medical details right and having it
  address all the philosophical and emotional questions that I wanted it to
  address, while keeping it funny and interesting.  | 
 
 
   | 
   | 
 
  | Sally Zigmond | 
  Getting going in the morning. I
  waste so much time after I’ve switched on the computer, checking emails and
  catching up on blogs, websites, and forums such as Write Words! I tell myself
  that because they’re all writing-related, that it’s relevant and essential—which
  they are—but they’re also classic displacement activity. | 
 
   | 
   | 
 
  | Sara Maitland | 
  The fact that I never do as much
  or do it as well as I would like to and know I could. | 
 
   | 
   | 
 
  | Sarah Salway | 
  When people who are not writers
  tell me how they would write too, if only they had the time.  | 
 
   | 
   | 
 
  | Sarah Stovell | 
  If you want to look at it as a
  job, there’s not much money in it and no security. I have no idea whether
  anyone will still want to publish me two years from now. | 
 
   | 
   | 
 
  | Shelley Weiner | 
  Waiting for responses. At every
  level. For me, it never gets easier and I’ll never get thicker-skinned about
  it. It’s kind of comforting that – although some writers are better than
  others at showing it – everyone feels vulnerable. The problem is that the
  publishing business is a hard-nosed one and it deals, on the whole, with
  sensitive souls. Rejection and the fear that we have nothing more to say is
  something we all have to deal with. | 
 
   | 
   | 
 
  | Shika | 
  Well, there's a certain lack of
  credibility until one is published, no? I think blogging, competitions and
  opportunities to read work out can help but I think this legitimacy or lack
  thereof is a huge challenge for the unpublished writer. | 
 
   | 
 
  | The
  other issue is the lack of focussed support for those of us who are yet to
  bag an agent and or a publisher. It seems odd to me that here you have an
  industry that has to rely on a steady stream of new writers for content and
  yet does nothing to seek out, sustain or hone new talent. Seems like an odd
  way to plan for the long term and I'm not aware of any other industry that
  does not try to build long-term alliances with potential suppliers based on
  old-fashioned transparency and trust.  | 
 
   | 
 
   | 
   | 
 
  | Sion Scott-Wilson | 
  Isolation and viruses. I hate
  viruses, I hate the people who create | 
 
  | them. I
  keep smashing keyboards. Now that I use a mac, I keep | 
 
  | smashing
  keyboards. | 
 
   | 
   | 
 
  | Smith Browne | 
  Spelling. | 
 
   | 
   | 
 
  | Sol B River | 
  Oh dear .... er ... many things,
  money has so far eluded me and that unfortunately has a bearing on when I can
  write. I'm only as good as my last play. It's quite painful for me (the
  actual writing) even in a pleasurable way. It's all engrossing, so time
  passes very quickly and very slowly or just stands still. I live on the edge
  of the city centre so many times in-between writing scenes I will walk into
  town wondering what I'm doing with my life..... that's probably the problem,
  I should be thinking what I going to do with the scene. | 
 
   | 
   | 
 
  | Stella Duffy | 
  Having to keep going when I’d like to
  just write A … C ….P … and then Z, but have to fill in the gaps. | 
 
   | 
   | 
 
  | Steve Feasey | 
  The guilt you feel when you
  don’t write. I’m hopeless at organising myself, and I’ve a propensity to faff
  around when I should be tapping away at the keys of my laptop. When I have a
  couple of days in which I haven’t written very much I tend to kick myself
  around a bit and get moody. | 
 
   | 
   | 
 
  | Steven Hague | 
  The worst thing about being a
  writer is the fact that you have to stay positive – you have to constantly
  live in hope: hope that you’ll find an agent, hope that you’ll find a
  publisher, and hope that you’ll find an audience - two out of three’s a start
  and I’m working on the third. | 
 
   | 
   | 
 
  | Sue Moorcroft | 
  Rejections. We all get them, in
  some form. Even in contracted manuscripts an editor will ask for substantial
  changes. Rejections are part of a writer’s life and I accept them and learn
  from them. But, groany groan, who likes them? | 
 
   | 
   | 
 
  | Tania Hershman | 
  Having to be alone to
  do it, and needing to get away from family and friends and shut the door. I
  feel like I push people away, but for me there is no other way to be a
  writer. | 
 
 
   | 
   | 
 
  | Tim Lott | 
  The boredom. | 
 
   | 
   | 
 
  | Tony McGowan | 
  It can be lonely and boring and,
  as I suggested above, it turns you into a crank. And I’ve lost some good
  friends who thought they saw themselves in my characters, and didn’t like it.
  Plus, unless you strike it lucky, the pay is rubbish! | 
 
   | 
   | 
 
  | Tracy Buchanan | 
  Forgetting to eat! | 
 
 
 
 
   | 
   | 
 
  | Vanessa Curtis | 
  ilt for not doing it. Guilt for
  doing it. Wasting days. Comparing myself unfavourably to other novelists. The
  long periods of time when I have to wait: waiting for inspiration, waiting to
  find time to write, waiting to hear from agents, then publishers, etc. The
  way that writing is so tied in with my sense of self-worth – it shouldn’t be,
  but it is. The incredible odds stacked against success of any kind – is there
  any other career where you work alone on projects for maybe years at a time
  with no guarantee of any recognition at the end of it? | 
 
   | 
   | 
 
  | Vanessa Gebbie | 
  The fact that it creeps up on
  you when you aren’t prepared. If a story wants to be written, it wants to be
  written NOW. Not in five minutes, or tomorrow. NOW. It gets in the way of
  family life, that’s for sure. And I think I have probably lost quite a few
  friends since I started writing seriously. | 
 
   | 
   | 
 
  | William Coles | 
  I don't know about the
  "worst thing" - it's all part of the process. I love writing and if
  you're a writer then you know it's going to be a slog. But ... oh yes! I
  know! Editing! This is not my forte. Going through draft after draft and
  tweaking and fiddling, until I haven't got a damn clue whether the first
  draft was better than the tenth. That's why I adore writing for newspapers.
  You write your whole story in four hours flat, read through it once, send it,
  and bingo - it's in the next day's paper. Books have the gestation period of
  an elephant. I'm not especially good, as they say, at "killing my little
  darlings". | 
 
 
   | 
   | 
 
  | William Sutton | 
  The lack of imposed structure. | 
 
   | 
   | 
 
  | Zoe Lambert | 
  How you invest so much of
  yourself in it. Whatever it’s about, it is intensely personal. After a while
  I learnt to distance myself from it. | 
 
   | 
   | 
 
  | Zoe Williams | 
  Oh, you know, sometimes
  everything that comes out of your head is just horrible, but you’re in a rush
  and you’re not a perfectionist at the best of times, so you just send it in,
  and they come back to you 17 times with changes because they know it’s shit
  but they can’t put their finger on why, and 17 times later, it’s just as bad
  as it was in the first place, but it’s taken 17 times as long. |